Eight-figure asking value: Grant Wooden’s masterpiece ‘Portrait of Nan’ lands in Lincoln | Leisure
Though it was painted as a present, Wooden by no means gave the portrait to Nan, selecting as an alternative to maintain it to himself. This, Evans suggests, was Wooden’s intention from the beginning, proven in Nan’s eyes that appear to comply with the viewer or, extra particularly, the painter who made the portray for himself.
“Throughout his lifetime, Grant Wooden bought all of his mature items besides this one,” Kiechel mentioned. “When he moved to Iowa Metropolis, from Cedar Rapids, he even constructed his complete front room round this portray.”
After Wooden’s demise in 1942, Nan took possession of her remaining artistic endeavors, together with “Portrait of Nan,” which she apparently didn’t discover flattering sufficient.
“She requested considered one of Grant’s members to offer her a facelift,” Kiechel mentioned. “She added lipstick, did a nostril job, and smoothed the pores and skin on her neck and higher arms.”
Forward of the Whitney Museum of American Artwork’s 2018 exhibition, Kiechel mentioned the portray was curated by Simon Parkes, who eliminated Nan’s overpaint and facelift to return it to its unique type.
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“Portrait of Nan” was one of many first work guests noticed in “Grant Wooden: American Gothic and Different Fables” within the galleries of the New York Museum three years in the past.
The exhibit included Wooden’s early Arts and Crafts ornamental objects and early Impressionist oils by way of his mature work, together with the Sheldon Museum of Artwork’s 1930 portrait “Arnold Comes of Age,” which just like the overwhelming majority of the museum for many years.